Publications – Articles

  • Cataloguing printed editions of Mahler’, Brio 44/1 (2007), 16–24
  • ‘Mahler’s Marked Scores in the New York Philharmonic Archives’ in Mahler in New York (New York: New Philharmonic Orchestra, 1998), 140-55. [This extensive booklet accompanied the orchestra’s 6-CD release of archive recordings of Mahler’s entire symphonic output: The Mahler Broadcasts.]
  •  ‘Mahler’s “most daringly composed work”: The First Symphony’, Muziek & Wetenschap V/3 (1995–6), 253–66
  • ‘Britten und die Oper: Peter Grimes im Kontext’, programme book of the Wiener Staatsoper, January 1996, 22–32
  • ‘Encompassing a plenitude: Cataloguing the Works of Benjamin Britten’, Studia musicologica xxxiv/3–4 (1992), 317–343
  • ‘Van divertissement naar lyrisch drama: een ontstaansgeschiedenis’ in programme book for Ariadne auf Naxos (Amsterdam: De Nederlandse Opera: 1989) 15–25
  • ‘Aspects of Mahler’s Fifth Symphony: Performance Practice and Interpretation’, The Musical Times, cxxx/1755 (May 1989), 258–265
  • ‘Hans Rott and the New Symphony’, The Musical Times, cxxx/1753 (March 1989), 142–8
  • ‘Berlioz’s “Marche au supplice” and Les Francs juges – a Re-examination’, The Musical Times, cxxx/1751 (January 1989), 16–19
  • ‘Mahler’s “Totenfeier”: a Symphonic Poem?’, The Musical Times, cxix/1750 (December 1988), 662–3.
  • ‘The case of Beatrice Cenci’, Opera, 39/4 (April 1988), 426–32
  • ‘Mahler Manuscripts come to Light’, News about Mahler Research, 18 (October 1987), 3–5
  • ‘Mahler 2: some answers?’, The Musical Times, cxxviii/1730 (April 1987), 203–6
  • [with C. Tredgett] ‘Hans Rott, 1858–1884’, The Musical Times, cxxv/1699 (September 1984), 493–5
  • ‘Coherence and Diversity in the Symphonie fantastique’, Nineteenth Century Music, VIII/1 (Summer 1984), 37–43
  • ‘An Early Symphonic Prelude by Gustav Mahler?’, Nineteenth century Music, III/2 (November 1979),  141–149. Reprinted in Journal of the Conductor’s Guild, 6/1 (Winter 1985), 9–15